Ebook The Trial of Anne Hutchinson: Liberty, Law, and Intolerance in Puritan New England (Reacting to the Past)

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Review

“Reacting to the Past is the most absorbing and engaging teaching I have ever done. . . . Students engage each other with a passion I have rarely seen in a classroom.” - Elizabeth Robertson, Drake University“Combines the student instinct for competitive gaming with the academic values of critical thinking and persuasive speaking.” - Craig Caldwell, Appalachian State University“It is one of the best ways I know of engaging students in great books and significant moments in history.” - Larry Carver, University of Texas at Austin

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About the Author

Michael P. Winship is E. Merton Coulter Professor of History at the University of Georgia. Winship is the author of the highly acclaimed Making Heretics: Militant Protestantism and Free Grace in Massachusetts, 1636–1641, the definitive study of Hutchinson and the controversies around her, as well as a briefer version of the episode, The Times and Trials of Anne Hutchinson: Puritans Divided.Mark C. Carnes is professor of history at Barnard College and creator of Reacting to the Past. He is the author of many books in American history and general editor of the 26-volume American National Biography, published by the ACLS and Oxford University Press.

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Product details

Series: Reacting to the Past

Paperback: 120 pages

Publisher: W. W. Norton & Company; 1 edition (December 11, 2013)

Language: English

ISBN-10: 039393733X

ISBN-13: 978-0393937336

Product Dimensions:

8.6 x 0.4 x 10.8 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#618,101 in Books (See Top 100 in Books)

I used this book in college for a class. I also used it for my middle school students for their intro to U.S. history class. They really like the RTP series.

Mandatory book for class

Interesting book, helpful to go through the trial game.

Good price for the book; received book within a short time of ordering. Always a plus when classes have already started!

I had to get this book for a writing seminar I'm taking at Berea College. It's a really interesting book and the game is interesting, as well. The debates have gotten pretty heated, though. I had no idea about Anne Hutchinson before I took this class. Everyone should at least know who she is.

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Ebook Free Stories of ArtBy James Elkins

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Stories of Art is James Elkins's intimate history of art. Concise and original, this engaging book is an antidote to the behemoth art history textbooks from which we were all taught. As he demonstrates so persuasively, there can never be one story of art. Cultures have their own stories - about themselves, about other cultures - and to hear them all is one way to hear the multiple stories that art tells. But each of us also has our own story of art, a kind of private art history made up of the pieces we have seen, and loved or hated, the effects they had on us, and the connections that might be drawn among them.

Elkins opens up the questions that traditional art history usually avoids. What about all the art not produced in Western Europe or in the Europeanized Americas? Is it possible to include Asian art and Indian art in ‘the story?’ What happens when one does? To help us find answers, he uses both Western and non-Western artworks, tables of contents from art histories written in cultures outside the centre of Western European tradition, and strangely wonderful diagrams of how artworks might connect through a single individual. True multiculturalism may be an impossibility, but art lovers can each create a ‘story of art’ that is right for themselves.

• Sales Rank: #666398 in Books
• Published on: 2002-09-29
• Released on: 2002-10-31
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .44" w x 5.50" l, .50 pounds
• Binding: Paperback
• 192 pages

From Booklist
Intrepid, personable, and prolific art historian Elkins shifts his keen gaze from art to art history in this surefooted and amiable disquisition on how the story of art has been told, and why. Elkins assesses the standard text in the field, E. H. Gombrich's often revised The Story of Art, and the vision it promotes of art history as an orderly, chronological progression toward the pinnacle of art, "naturalistic skill," which the moderns then abandoned. Elkins dissects the many pitfalls of this simplistic approach, and envisions provocative alternatives, all the while musing on how to address the many tricky questions art historians confront, especially the challenge of how to integrate non-Western art into the story of Western art, and how to answer urgent questions about race, gender, sexuality, and even language itself. Elkins' smart, knowledgeable, original, and engaging multicultural analysis ultimately celebrates the ongoing conflict between art, which often seeks to defy categorization, and our desire for order and definition, all the while recognizing this irresolvable debate is a wellspring for fresh perspectives on the crucial and fascinating story of creative expression. Donna Seaman
Copyright © American Library Association. All rights reserved

Review
"Using sketches of his own and those of his students to illustrate alternatives to the standard chronology of the historical time line, Elkins proposes a number of throught-provoking ways to organize the stories of art that are not based on a strict adherence to dates, many of which can only be surmised."
-Kirkus Review, August 1, 2002
"Eminently readable and at times outright fun, Stories of Art is a terrific and transparent meditation on what's at stake in the histories of art we all so glibly recite. Instead of writing yet another survey, James Elkins provides the little counter-narrative that rubs up against the monumental survey volumes with a kind of graceful annoyance. The little buzzing bee that worries the elephant."
-Michael Ann Holly, Clark Art Institute
"A much needed, thoughtful, and intelligent reflection on the disciplinary status and cultural function of the history of art. Stories of Art is an invaluable aid in articulating the hidden agenda that informs art history as it is currently constituted, and an indispensable addition to our increasingly self-aware art historical enterprise."
-Keith Moxey, author of The Practice of Persuasion: Paradox and Power in Art History

About the Author
James Elkins is Professor of Art History at the School of the Art Institute of Chicago. He is the author of many books. Among is books are Pictures and Tears, How to Use Your Eyes, and What Painting Is, all published by Routledge.

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• Sales Rank: #2330639 in Books
• Published on: 1997-08
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x 4.50" w x 1.25" l,
• Binding: Paperback
• 384 pages

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Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 4 hours and 41 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: 99 pages or less publishing llc

Audible.com Release Date: September 12, 2016

Whispersync for Voice: Ready

Language: English, English

ASIN: B01LW8SQ50

Amazon Best Sellers Rank:

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This book and clever investors are the only two who gives everything you need to get started. All the others are just fluff

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Ebook Download A Purpose Centered Faith (Global glory)By Dr. Renny McLean

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• Sales Rank: #13124672 in Books
• Published on: 2008
• Binding: Audio CD

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Download PDF Juan Bobo Goes to Work (Spanish edition): Juan Bobo busca trabajo

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• Published on: 1900
• Binding: Paperback

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Review

“To read this book is to sit with Kazan as he talks about his work. You feel his energy, devotion, and openness. You are given rare and fascinating access to the insights and techniques of a great director.” —Sidney Lumet“Kazan stands alone in his work both on stage and screen. This book provides an excellent opportunity to deepen our understanding of Kazan’s achievements.” —Alec Baldwin“A fascinating account of how a master director works. . . .  It is also, quite simply, a good read.” —The New Criterion “A wonderfully conflicted yet curiously confident self-portrait of a great director.” — Los Angeles Times “Unusually entertaining . . . It’s not just his insights, it’s the incisive way he expresses them.” —New York Observer“This is Kazan the professional speaking, a giant of the Method spilling his secrets. . . . An indispensable resource for anyone hoping to understand the direction of actors and the differences between stage and screen. . . . Revelatory and instructive.” —Directors Guild of America Quarterly “Kazan on Directing displays Kazan’s interpretive genius at work, analyzing each major play and movie, working with writers on scripts and actors on interpretations. . . . Invaluable.” —The Providence Journal “[Kazan] may be the most influential director of his time after Hitchcock. . . . If only every living American director would read this..” —The Buffalo News “Remarkable. . . . A portrait of the artist in his own words. . . . A marvelous dissection and explanation of how Kazan brought to life some of America’s greatest pieces of drama, and at what personal price.” —Eric Lax, truthdig.com  “Elia Kazan possessed a treasure trove of knowledge about acting and storytelling. What a gift it is to have his ideas between covers in Kazan on Directing—a wonderful compilation of Kazan’s shrewd insights and vast experience.” —George Stevens, Jr. “Kazan has been called the greatest actor’s director. In this illuminating book he details his methods. A must-read for everyone in show business.” —Carroll Baker “[This] riveting book is Kazan talking to us—pushing us, lifting us, motivating us. Every student of stage and film should read it.” —Karl Malden “[Kazan’s] experience as an actor in the Group Theatre helped train him to become one of the greatest directors of actors in the twentieth century. This amazing book demonstrates his rich understanding of the actor as an artist.”  —Ellen Adler, Stella Adler Studio of Acting “Astounding. . . . I have never, ever read anything as clear and personal and detailed (not to mention well-written) as this book. . . . I devoured it.” —André Bishop, Artistic Director, Lincoln Center Theater

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About the Author

Elia Kazan was born in 1909 in Istanbul. He graduated from Williams College and attended the Yale School of Drama before joining the Group Theatre. He was the founder of the Actors Studio, and he won three Tony Awards for direction (for All My Sons, Death of a Salesman, and J.B.) and two Academy Awards (for Gentleman’s Agreement and On the Waterfront), as well as an honorary Oscar in 1999 for lifetime achievement. He died in September 2003.

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Product details

Paperback: 368 pages

Publisher: Vintage; unknown edition (January 12, 2010)

Language: English

ISBN-10: 0307277046

ISBN-13: 978-0307277046

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

25 customer reviews

Amazon Best Sellers Rank:

#340,735 in Books (See Top 100 in Books)

Rarely has a book on film said so much in so little space. First, it is mostly Kazan's voice we hear. Secondly, the book is finely organized, offering editorial comments and questions,letters from Kazan countering with his lively answers to these and elaborating on his views, separate sections as director of stage and film (the book actually comes in two parts),and the most fascinating articles/speeches Kazan ever gave, as, for instance, an address by Kazan delivered ar Wesleyan University in 1973, which covers just about everything about directing under the sun. Kazan is a "no holds barred" commentator of his own work, relating his experiences in life and in film in sometimes scorching language, managing to be entertaing and completely outspoken. There are hidden treasures everywhere about filmmaking that will make the film buff and filmmaker alike salivate with pleasure. Not to forget here a foreward by John Lahr,a Preface by Martin Scorsese, and an illuminating Introduction by Robert Cornfield, which contains the best remarks on "method acting" I have ever seen. All in all, a good read, worth all the pennies you spend on it.

The Book is amazing! for a number of reasons: first of all the great author. Despite some controversy over 1952's affair Kazan remains one of the best American directors ever... Just like another great director Sidney Lumet comments on the book - reading it really feels like having a deep interesting conversation with the author, that alone is one hell of a rare treat for books of this type. It is amazing and very useful how Kazan treats material a play or a screenplay, his amazing quest for certainty and precision, how he breaks the material down to find a basic idea - a spine, and how he explains the importance of finding this spine and how all the rest of the things like acting, lighting and generally everything comes from and should be connected to this "Spine". The other amazingly important bit about the author and this book is that he is very critical first of all to himself. He would sit and watch a show in a theater and think and capture it's mistakes and then analyse those and if they lead to him the director he doesn't ignore it on the contrary he goes deeper and draws the exact conclusions why and how this or that mistake has been made and how he should avoid them in the future. He is very rational, adequate and precise but at the same time amazingly passionate, he works with actors knowing each of them amazingly well for what they really are and what they are capable of. In other words he explains and shows the enormous importance of good Casting. I came across this book by watching Francis Ford Coppola's interview where he mentions this book and how the approach of Kazan in treating the material helped him create his big notebook for Godfather. He states that this notebook was so dense and full of important details for each scene that he practically didn't need a script on the set. Coppola uses the same method as Kazan for example for the scene: what the scene is about?, what he wants to express with it?, how to express it the best way? and what are the risks? and etc. this structural approach to the material is very useful both for beginner filmmakers and professionals. Book doesn't have the setups and how to do recipes it has a lot more. It gives the most important ingredient of all on how to find, formulate and then express the general idea, It gives clues on how to find the inspiration and I guess that is much more important than any instructions. This book is amazingly inspirational and passionate and at the same time superbly precise and rational - I guess the unity of these elements underlines most the significance of this book and the significance of the body of work of this great visionary who has influenced a lot of great directors such as Nicholas Ray, Sindey Lumet, Martin Scorcese, Francis Ford Coppola and many more

I thought this would be a rather pedantic and boring read. Instead, I dicovered his writing style to be excellent and engaging and found I couldn't put it down. Highly recommend this book to any aspiring director, film and/or theater. You won't regret it!

A heavy read so only for very serious directors.

Amazing (if not one of the best) book for young directors looking to amp up their skill in their craft. So glad my teacher recommended this to me! I carry it with me almost everywhere!

This was an informative book on acting and directing I encourage everyone who's an actor or director to read this

great book and transaction. many thanks!

Order this book. You won't be disappointed. It's like sitting in a directing class with the master. You get to read his personal notes and inner feelings about working with Brando, Leigh, T. Williams, A. Miller, Malden, Steiger and more! Not just memories from an older Kazan, but his thoughts while in rehearsal or on the set. Anyone who works with actors or aspires to direct, should read this wonderful book. Definitely five stars.

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